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Chamber

Meeting of the Parliament 16 April 2024

16 Apr 2024 · S6 · Meeting of the Parliament
Item of business
Scotland’s International Culture Strategy

Today is the first opportunity that we have had since the Easter break to note some significant developments in relation to culture. I begin by taking the opportunity to thank everybody who did so much to promote Scottish culture in the run-up to and on tartan day, which was marked on 6 April in the United States of America and Canada, including the Edinburgh Festival Fringe Society and the Lyceum, among many others. I also put on the record my sincere condolences following the recent untimely death of Scott Williamson, the New Zealand honorary consul to Scotland.

I am delighted to have the opportunity to open the debate on the Scottish Government’s international culture strategy, which was published on 28 March this year. I know that all members of the Parliament will recognise the importance of our culture and creative sector to our communities, society and economy, and that they will also recognise the importance of international activity to those vital sectors.

The ability to collaborate across borders is key to developing opportunities for our creative professionals to make our culture and creative sector more diverse and vibrant and to reach new audiences and markets. Although that makes the sector stronger internationally, it also supports the vibrancy and diversity of Scotland’s domestic cultural scene and helps us to contribute to global dialogue on some of the key challenges of our time.

For the first time, our strategy will set out a strategic approach to those issues. Although we have supported the sector’s international work, the strategy will seek to maximise its potential and take a coherent approach.

We are starting from a strong position, notwithstanding on-going challenges. Scotland’s deep and rich culture and creativity are recognised across the world, and the culture and creative sector is respected internationally for its creative output and for the approaches, business models and ideas that are inherent in the sector.

In recent years, the sector has faced a range of challenges that have had a particular impact on its ability to carry out many international activities. The restrictions that resulted from the Covid-19 pandemic meant that creative professionals were, for the most part, unable to tour and exhibit as they had done previously. Those restrictions have been compounded by the increase in costs that we have seen in recent years. The Government continues to work to support the sector to recover from those impacts, including making a commitment to invest at least £100 million more annually in culture for the financial year 2028-29.

However, those efforts have been further hampered by the on-going impact of the United Kingdom’s exit from the European Union. The UK Government’s decision to leave the EU has put in place a range of barriers to international activity in one of our most important international markets. Creative professionals now often require costly visas or work permits to carry out activities such as touring in the EU, and they face extensive customs requirements for moving equipment and merchandise. In addition, the loss of access to key EU programmes such as the creative Europe programme has not only impacted funding in the sector but removed an important means of facilitating cross-border partnerships and collaborations. Although we have taken action to mitigate those impacts, including through the funding of the Arts Infopoint UK mobility support service, the failure of the UK Government to negotiate favourable agreements for creative professionals with the EU means that extensive barriers to international activity remain.

Our approach aims to ensure that international engagement is a key element of sectoral recovery from recent challenges and to support its long-term development and resilience. It is in that context that the Government is committed to developing our international culture strategy to maximise the sector’s international potential in a coherent manner.

The overarching vision of the strategy is for Scotland’s culture and creative sector to be globally connected and to have the means and the opportunities to achieve its international potential. It also envisages that the sector will further contribute to Scotland’s cultural, social, economic and environmental wellbeing through its international activity.

To achieve that, the strategy sets out three strategic outcomes: first, to support an innovative, more sustainable and economically stronger culture and creative sector; secondly, to develop an internationally connected and diverse culture and creative sector that contributes positively to people and communities; and, thirdly, to enhance Scotland’s international reputation for culture and creativity, including our response to global challenges.

In the same item of business

The Deputy Presiding Officer (Liam McArthur) LD
The next item of business is a debate on motion S6M-12845, in the name of Angus Robertson, on Scotland’s international culture strategy. I invite members who...
The Cabinet Secretary for Constitution, External Affairs and Culture (Angus Robertson) SNP
Today is the first opportunity that we have had since the Easter break to note some significant developments in relation to culture. I begin by taking the op...
Meghan Gallacher (Central Scotland) (Con) Con
On the point about enhancing culture in Scotland, is the cabinet secretary concerned about the comments that were made recently about the Edinburgh fringe, a...
Angus Robertson SNP
I speak as both the cabinet secretary for culture and the MSP for Edinburgh Central, so I am sure that Meghan Gallacher appreciates that that matter is close...
Neil Bibby (West Scotland) (Lab) Lab
I share the concern that Meghan Gallacher has raised about the need to support the Edinburgh festival fringe, and I know what the cabinet secretary has said....
Angus Robertson SNP
I just heard from a member on the Conservative front bench the concern that the Edinburgh festival fringe might not be able to continue. It is that kind of p...
Alexander Stewart (Mid Scotland and Fife) (Con) Con
Will the cabinet secretary give way?
Angus Robertson SNP
Forgive me, but I have already given way twice. I want to make a bit more progress until it is clear how much of my time remains, but I will happily give way...
Alexander Stewart Con
I thank the cabinet secretary for giving me that time. We talked about the relief of funding issues in the sector and he was keen on that. What are the cabi...
Angus Robertson SNP
I was in conversation with the Treasury to ask for that to happen and am delighted that it has. It is important not only to have what would have been a tempo...
The Deputy Presiding Officer LD
I remind those members who hope to participate in the debate but have not already pressed their request-to-speak buttons to do so. I also remind those making...
Meghan Gallacher (Central Scotland) (Con) Con
Thank you, Presiding Officer. I apologise for being guilty of not doing that. I associate myself with the remarks that the cabinet secretary made about Scot...
Keith Brown (Clackmannanshire and Dunblane) (SNP) SNP
On the subject of being honest with ourselves, does the member agree that cheering to the echo the cuts to the Scottish Government’s budget from Westminster ...
Meghan Gallacher Con
Keith Brown really needs to look at his own Government’s spending and the amount of money that has been squandered over the years by this SNP Government. Tha...
Neil Bibby (West Scotland) (Lab) Lab
I join others in paying my condolences to the loved ones of Scott Williamson. We can rightly be proud of our culture in Scotland. From the songs of Robert B...
Keith Brown SNP
Will the member take an intervention?
Neil Bibby Lab
Yes, I will.
Keith Brown SNP
The member will be aware of the likely closure of Wales’s national museum, which has been attributed to cuts in funding for the Welsh Government. Does he acc...
Neil Bibby Lab
The member made a number of points. First, we are in the Scottish Parliament, not in Wales. I am not aware of the situation in Wales, but there have been sig...
Angus Robertson SNP
Forgive me, Presiding Officer, because I did not press my request-to-speak button. It would be helpful if Mr Bibby could clarify whether it is the Labour Pa...
Neil Bibby Lab
I will come on to Labour’s plans shortly. We recognise that touring is vital in enabling many performers to make income and reach new audiences, but that h...
Michelle Thomson (Falkirk East) (SNP) SNP
Will the member take an intervention?
Neil Bibby Lab
I am sorry; I have already taken two. That is why Labour would push for a visa waiver for touring artists and would negotiate an EU-wide cultural touring ag...
The Deputy Presiding Officer LD
On a personal level, I echo the comments of all three front-bench members who have mentioned the sad and sudden passing of Scott Williamson. 15:40
Alex Cole-Hamilton (Edinburgh Western) (LD) LD
On behalf of Scottish Liberal Democrats, I echo the comments that have been made on the loss of Scott Williamson. I am grateful to Angus Robertson for makin...
Angus Robertson SNP
I think that Alex Cole-Hamilton and I agree on the possibility of the United Kingdom’s rejoining programmes such as Erasmus+ and Horizon Europe. Does he agre...
Alex Cole-Hamilton LD
I am happy to say that we are. Liberal Democrats are fundamentally committed to rebuilding our fractured relationship with Europe, whether it be through Eras...
The Deputy Presiding Officer LD
We now move to the open debate. 15:46
Clare Adamson (Motherwell and Wishaw) (SNP) SNP
Last week, I had the pleasure of visiting Scottish Opera’s production studios in Glasgow. I thank Alex Reedijk and his staff for a wonderful tour of the prop...
Michelle Thomson SNP
I, too, made that trip, and I found it most illuminating. I was struck by the innovation that Scottish Opera is carrying out as a company in renting out its ...