Hansard

I am a member of the committee but, unlike the previous speakers, I was not there during consideration of the report that we are discussing today, so I cannot speak with the same authority as them. However, I am absolutely on board with the place-based approach. In a culture debate a few weeks ago, I gave a number of examples of organisations in my constituency that take that approach, as well as stating the obvious, which is that we all want to see culture in Scotland thriving, and not just for economic reasons, which are very important, but because of the difference that it can make to people’s lives.

However, we need to be clear that, as was mentioned in the previous speech, the biggest obstacle in the way of the implementation of many of the recommendations in the report is the extremely limiting financial situation that we are in as a country, which the report rightly mentions. In my view, the current financial restraints that Scotland faces are perhaps the starkest that we have seen since this Parliament was established. We need to be really explicit with the people of Scotland. Bodies can all shout about sustainable multiyear funding, but if that is not what the Parliament is getting, how will we provide it? We must be serious about the challenges that we face.

The devolution settlements created a situation in which the UK Government still has control over the vast majority of Scotland’s finances. If the UK Government chooses to implement real-terms cuts, as it very often does, the Scottish Government must make difficult decisions to implement those cuts, either by cutting somewhere in the Scottish Government’s budget or by raising one of the few taxes for which the Scottish Government is responsible. Both those options are virtually always met with universal criticism from Opposition members.

On the point about local government, it is obviously constrained, but much less so in Scotland than it is in England or Wales. In England, there have been 40 per cent cuts to council budgets, and a number of councils have gone to the wall financially. We have not seen that in Scotland, although there is a difficult situation. We should acknowledge that and the impact that it has on a place-based approach to culture.

However, the Scottish Government has done, and it continues to do, what it can within the devolution settlement to support a place-based approach to culture in communities. I am also sure that the commitment to double funding for culture and the arts by £100 million over the next five years will play a part in furthering that approach.

The theme of the debate is challenges and opportunities. Although I have highlighted the challenges, I would also like to highlight the opportunities. Oddly, one of the side effects of austerity over the past 14 years has been the increase in community ownership of cultural assets, which we have seen across Scotland and which the report rightly highlights. During the summer, I visited Wimpy Park community garden in Alloa, which was recently taken over by Wimpy Park community group—a group of residents who had a vision and worked immensely hard to bring the garden to life. For members of the committee or anyone else who wants to visit it, I say that it is a real example of cultural empowerment in our communities—indeed, in one of our most deprived communities. That is absolutely to be commended.

The community garden is just one of a few examples in my Clackmannanshire and Dunblane constituency. Thanks, usually, to the work of immensely dedicated volunteers and community ownership, many formerly publicly owned spaces have taken on new roles in the community. Among many other such examples in my constituency, Tullibody Community Development Trust operates the civic centre in the town, the Dollar Community Development Trust operates the Hive in Dollar, the Dunblane Development Trust manages the Braeport Centre and—perhaps best of all—the Sauchie community group operates the Sauchie resource centre. All those facilities are used by their communities as spaces for culture, which is another important aspect of a place-based approach to culture, as is highlighted in the report.

I welcome the report. I will add that one of the most crucial aspects in delivering a place-based approach to culture in our communities is that we give the people in those places a significant role in developing and delivering services. However, as a Parliament, we need to be aware of the root causes of the significant financial challenges that face implementation of the recommendations in the report. We do not serve the people if we try to ignore the source of those financial constraints.

Austerity has been one of the biggest problems, but I will mention another that was brought home to me today during the committee session with touring musicians. It is in a different category, but it involves a very similar challenge. Brexit, largely, has caused a huge meltdown in their sector—we all heard the evidence. I asked the witnesses about the two scenarios that we were given about Brexit—one involved sunny uplands full of opportunity and no regulation; the other involved enormous economic and cultural self-harm. I can tell members that the latter characterises the experience of those touring musicians since Brexit. They also said that most of the factors that were causing them to suffer were predicted at the time of Brexit. We heard about the decimation of the Scottish culture sector in their area, and we heard about some Scottish artists having continued, but only if they could get an Irish passport. Those people are appearing at Irish events in Germany and elsewhere—not as Scottish artists but as Irish artists. That is the only way that they can continue.

It is as if a theatre curtain has come down on a vital part of our cultural heritage. Some people have lost their jobs and others have walked away from the sector, which is a loss to Scotland. An absolute crime is going on. The musicians laid the blame fairly and squarely at the door of Brexit, although, as we would expect them to do, they made requests of the Scottish Government about the support that it can provide. That is the reality of what our cultural sector is going through.

The news of the additional £100 million from the Government is very welcome, and I would endorse the request by some of the people whom we heard from today that some of that money finds its way to touring musicians, because that is so important for the international reputation of Scotland. It is how the rest of the world views us.

They also made the point, very fairly, that, grim as the situation is, Scotland is overendowed with talent and with artists who can enhance Scotland’s reputation. Therefore, my main appeal is that supporting that talent through the place-based approach that we are talking about today is done at the same time as we support culture and try to reverse the damage of Brexit, which has decimated our cultural sector.